The Battle of Stalingrad (23 August 1942 - 2 February 1943)was a major battle of World War II in which Nazi Germany and its allies fought the Soviet Union for control of the city of Stalingrad (now Volgograd) in the south-western Soviet Union. Marked by constant close quarters combat and disregard for military and civilian casualties, it is amongst the bloodiest battles in the history of warfare. The heavy losses inflicted on the Wehrmacht make it arguably the most strategically decisive battle of the whole war.
It was a turning point in the European theatre of World War II-the German forces never regained the initiative in the East and withdrew a vast military force from the West to reinforce their losses. The German offensive to capture Stalingrad began in late summer 1942 using the 6th Army and elements of the 4th Panzer Army. The attack was supported by intensive Luftwaffe bombing that reduced much of the city to rubble. The fighting degenerated into building-to-building fighting, and both sides poured reinforcements into the city. By mid-November 1942, the Germans had pushed the Soviet defenders back at great cost into narrow zones generally along the west bank of the Volga River. On 19 November 1942, the Red Army launched Operation Uranus, a two-pronged attack targeting the weaker Romanian and Hungarian forces protecting the German 6th Army's flanks. The Axis forces on the flanks were overrun and the 6th Army was cut off and surrounded in the Stalingrad area.
Adolf Hitler ordered that the army stay in Stalingrad and make no attempt to break out; instead, attempts were made to supply the army by air and to break the encirclement from the outside. Heavy fighting continued for another two months. By the beginning of February 1943, the Axis forces in Stalingrad had exhausted their ammunition and food. The remaining elements of the 6th Army surrendered. The battle lasted five months, one week, and three days.
Published: February 11, 1943 The heroic defense and endurance of the city of Leningrad during the horrible, torturing Winter of 1941-42, when the Nazis were pounding at the suburbs and the bombs were falling almost constantly, has been put into vivid picture symbols by a corps of Soviet camera men in the Russian news film, 'Siege of Leningrad,' which came to the Stanley yesterday. Failing only in its choppy continuity from achieving the overpowering effect of that previous Russian epic of last Winter's bitter warfare, 'Moscow Strikes Back,' this film is, nonetheless, a graphic survey of the misery, hunger and death the city endured and a moving tribute to the valor of its soldiers and civilians. Of all the great sieges in history which words have inadequately described, this siege of Leningrad was the first to be reported in all its wretched detail by the eye of the motion-picture camera. And, as a consequence, this one-hour film is a unique historical document as well as a harrowing illustration of facts. During the frightful months of last Winter, twenty-three camera men went about the beleaguered city, into the fighting lines and even behind, where the guerrillas were persisting, to film in stark detail this story of a city's Gethsemane. They pictured agonies too terrible to tell.
They caught such heart-rending scenes as were typical of life in that frozen city—of people trudging doggedly with their few belongings through the snow, of women dipping water from an open gutter in the street, of mothers feeding their children little scraps of food, of long lines waiting patiently for pitiful rations of bread. In one of the desolate street scenes may be seen a man and woman drawing a little sled on which is mutely limbered a telltale tiny corpse. In another scene, a boy of no more than 10 or 12, all alone, pulls his sled through the white snow with a plain black coffin on it. The fact that no one even notices is grim testimony to the familiarity of the sight. The camera men also caught glimpses of the famous road which was built across the ice of near-by Lake Ladoga, which was Leningrad's fragile lifeline, and of the huge trucks (and even trains) which brought in the food and ammunition that way. (The last trucks to come through are pictured in water up to the hubs, with rotten ice floating about them and the whole road in peril of collapse.) They went up to front-line positions and filmed white-clad snipers picking off the foe, caught long files of German prisoners looking hollow and woe-begone, and followed, with cameras turning, the guerrilla fighters as they stalked the Nazi rear. All of these pictures—and others—have been put together to form this tragic, exalting record of the ordeal of Leningrad.
The editing is loose and sometimes clumsy, the English commentary is barely adequate and is spoken by Edward R. Murrow in an oddly casual tone. But the pictures themselves are the record; the Trojan story they tell is blunt enough. Murrow concludes, this is your evidence of the ultimate meaning and sacrifice of total war. SIEGE OF LENINGRAD, a feature-length Russian documentary film produced by Lenfilm Newsreel Studios, Leningrad, U.S.S.R., and released by Artkino Pictures, Inc. English commentary written by John Gordon and narrated, by Edward R.
At the Stanley. Medical transcription training cost.
Director Aleksandr Buravsky revisits the Nazi siege of Leningrad through the eyes of a British journalist being targeted by the KGB in this sweeping historical drama. The year is 1941. As Hitler's forces take hold of Leningrad, UK war correspondent Kate Davis (Mira Sorvino) finds herself trapped in the city, and desperate to reunite with her lover Philip Parker (Gabriel Byrne), a U.S. As death shadows her every move, Kate befriends local militia woman Nina Tsvetkova and a pair of Russian children. Only with their help can Kate hope to make it out of this nightmare scenario alive. Jason Buchanan, Rovi. Attack on Leningrad is a pretty good movie, but one that I found to be a bit disappointing as well.
By the looks of the trailer, it looked like this was going to be a sweeping war movie, it was, and wasn't. The film started well, quite exciting and thrilling, but it slowed down near the end, and it felt like the filmmakers didn't know how to conclude the story. I thought it was a decent ending, but one that could have been much better. The film is inaccurate, but for the most part, it shows us the chaos of what it was like for the Russians fighting. There was something missing from the film's script to really make it standout among other genre picture.
The cast on the other were quite good, and elevated the average material enough to make this film watchable. This is not an awful film, it's just that it lacks in terms of authenticity and great storytelling.
Kali amman tamil mp3 songs free download. The film shows a bit of the suffering during the Second World, but it could use a more in depth structure to tell this compelling story. As a drama film it's average and as a war film, it's nothing remarkable. Despite the movies flaws, it's a worthy film to watch, but it really doesn't stand out among some of the best War films ever made.
![]() Battle Of Stalingrad
The film had so much potential in being a terrific experience, but it leaves you wanting more. The cast, like I said make it good, but at times there are things that really don't fit and fall flat. Attack on Leningrad should have been a memorable genre movie, but it's one of those movies that doesn't necessitate multiple viewings. Entertaining, but the script and execution could have been better overall.
Contents. Plot In 1941 Germany invaded the and their troops besieged the city of. Foreign journalists are evacuated but one of them, Kate Davis , is presumed dead and misses the plane.
Alone in the city she is helped by Nina Tsvetkova a young and idealist police officer and together they fight for their own and other people's survival. Cast. as Phillip Parker. as Kate Davis. as Chigasov. as Malinin.
as Omelchenko. as Vernik. as Korneyev. as Nina Tsvetkova. as Radio announcer. as.
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as Kapitsa External links. on References.
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